My Foolish Heart (1949)

Sept. 4-5, 2011

72. My Foolish Heart (1949) 

Starring Dana Andrews, Susan Hayward, Kent Smith, Lois Wheeler, Jessie Royce Landis

Directed by Mark Robson

**REVIEW MAY CONTAIN SPOILERS**

Plot: “After a long absence, Mary Jane visits her schoolfriend Eloise, and Eloise's daughter Ramona. Eloise drinks too much and is unhappily married to Lew Wengler. Eloise falls asleep and remembers her time with her true love, Walt Dreiser, at the beginning of the Second World War. She recalls the events that lead up to her split with Mary Jane, and how Lew married Eloise rather than Mary Jane.” (from IMDb)

I really didn’t care for this one at all. Originally based on a story by J.D. Salinger which was published in The New Yorker, this film is a 98 minute soap opera tear-jerker.

I guess my main problem with this is that I couldn’t relate to the characters: I didn’t understand what Eloise saw in Walt. I thought it was irresponsible of the father to send his young daughter back alone to New York. I thought Walt was a jerk who really only wanted one thing from Eloise. Elle’s father and Walt were also rather chauvinistic in dealing with her expulsion. It bothered me that they treated the whole thing in this *wink*wink* manner. Didn’t they care about her future? She was just expelled! I also disliked Eloise for falling so cheaply and then marrying the wrong man on a rebound. Ugh! It was just frustrating, and honestly it all made me feel a little sick. I just found the characters’ motivations frustrating and unconvincing. Add to that the fact that the film is painfully predictable, and it’s not a winner in my book. 

I used to like Dana Andrews quite a bit, but I didn’t like his character at all in this. He really came across as insincere, haughty, and demeaning to Eloise (Susan Hayward). But maybe that was just me…?

Sorry for the grainy quality of these screencaps; the copy I viewed was rather poor.

Edith Head designed Hayward’s wardrobe.

I know this is supposed to be oh-so-romantic, but I really did not like the storyline at all. The two leads were supposed to be madly in love, but I did not feel much chemistry between them.

At first I felt like Susan Hayward was not that great in this, but I thought she got better—to the point of being quite excellent—as the film went on. She does a commendable job of showing the progression and emotion of her character. Especially near the the end of the film, I was really captivated by her ability to make me feel what Eloise was going through. Even though I thought her character made some stupid choices, it was still really sad.

Susan was nominated for a Best Actress Oscar for this role.

If you enjoy this type of weepy flash-back-to-first-love film, you might enjoy this. As you already know, I didn’t. But I could’ve just been in the wrong mood to watch a super sad film like this. It was kind of depressing!

With a Song in My Heart (1952)

Aug. 13-14, 2011

69. With a Song in My Heart (1952)

Starring Susan Hayward, Rory Calhoun, David Wayne, Thelma Ritter, Robert Wagner, Helen Westcott, Una Merkel

Directed by Walter Lang

Plot **CONTAINS SPOILERS**: “Jane Froman (Susan Hayward), an aspiring songstress, lands a job in radio with help from pianist Don Ross (David Wayne), whom she later marries. Jane's popularity soars, and she leaves on a European tour... but her plane crashes in Lisbon, and she is partially crippled. Unable to walk without crutches, Jane nevertheless goes on to entertain the Allied troops in World War II.” (from IMDb)

This film definitely has some good things going for it (which I talk more about below) but I thought the story itself was a bit sad—the plane crash, how her marriage fell apart, etc. Nevertheless, it’s still an interesting true story that combines music, patriotism, and drama.

Jane Froman (Hayward) singing radio commercials near the beginning of her career.

David Wayne’s character is kind of annoying and fickle, but I think he’s supposed to be.

According to IMDb, Marilyn Monroe later wore this exact same costume (pictured above) in 1956’s Bus Stop.

Susan Hayward lip-synced to recordings of the real Jane Froman’s singing. That gives the movie an interesting touch because we are listening to the real singer. Speaking of Froman, I'm quite enthralled with her talent. She has such an amazing voice! You can listen to one of her songs—and learn more about her—by going to her website (it'll play automatically if you have your volume turned on). I can’t believe I’d never heard of her before!

Rory Calhoun.

The fateful plane journey.

This movie has a lot of songs in it, but I honestly didn’t notice that it was more than usual because they are so good! The soundtrack on this really could not be better. In fact, Alfred Newman won an Oscar for his musical scoring of the film.

I thought Hayward was great in this film. She really put her whole heart into the role. I’m eager to see more of her movies. For her performance in this film, she was nominated for a Best Actress Oscar.

If for nothing else, I recommend watching this film for Thelma Ritter. This is one of her best roles, in my opinion. She’s terrific!

The Academy nominated Thelma for Best Supporting actress. The film also garnered Oscar nominations in the areas of costume design and sound recording. 

 

A very young Robert Wagner appears twice in the film—once as an audience member at one of Jane’s shows (above) and later as a shell-shocked soldier (below).

I definitely recommend watching the extras on this film if you see it on DVD. The movie ends with quite a few things left undecided: what happens to her relationship with Burn, whether she ended up losing her leg, etc. The special features explain the real life story of Jane Froman and how they went about adapting it to screen. It helps to fill in some of the gaps of the film.

To the Shores of Tripoli (1942)

Aug. 13, 2011

68. To the Shores of Tripoli (1942)

Starring John Payne, Maureen O'Hara, Randolph Scott, Nancy Kelly, Minor Watson

Directed by H. Bruce Humberstone

Plot: “Sergeant Dixie Smith has more raw recruits to turn into Marines, if he can. Among them is cocky casanova Chris Winters, son of an officer, who's just tried to ‘mash’ Mary Carter, a major's niece. Once on base, he finds Mary's a nurse and an off-limits officer. Does this stop him? Of course not. But his attitude problem soon puts him in a position where he must redeem himself, with December 7, 1941 fast approaching.” (from IMDb)

This is more a propaganda film than a war film. It deals with the misadventures of a headstrong Marine recruit (John Payne), and most of it takes place on the base. I’m not a big Randolph Scott fan, but surprisingly I don’t hate him in this (what a uniform will do for a man…just kidding!). Mainly I think that’s because it’s pretty easy to empathize with Scott’s character, as Chris Winters (Payne) really is a—pardon the pun—pain. In other words, he’s a jerk. That’s the key problem with the film: the main character is not likeable! I’m not sure what they were trying to do with this movie, perhaps just show how anyone can rise to the call of duty…er, something?

According to Wikipedia, “The Marines credit the movie as the biggest single recruitment aide in 1942.”

Love the tilt of Payne's hat. And look how ramrod straight Scott is standing. I guess that defines his character.

John Payne and Maureen O’Hara also appeared together in Miracle on 34th Street, Sentimental Journey, and Tripoli (not related to this film).

The Technicolor is gorgeous! It really highlights Maureen’s beauty. The film was nominated for an Oscar for Best Color Cinematography.

This reminds me of Cherry Ames. (Did anyone else ever read those books? I used to love them!)

I’m honestly not sure what Maureen’s character saw in Winters.

August 17 was Maureen’s 91st birthday. Happy birthday and many more to one of Classic Hollywood’s greatest living legends!

An unfortunate bit of racism. I guess this was supposed to be funny?

The ending was changed because of Pearl Harbor. This film was just over two hours but it felt even longer. Not one I’ll be rushing to see again anytime soon, though I’ve certainly seen worse!

Saluting the Flag

 
A farmers family saluting the US Flag, during the drought in Central and South Missouri; October 1953. LIFE images.

    
Clockwise from top left: a civilian, Girl Scout, fireman, and Boy Scout each saluting the flag; 1940. New York, NY. LIFE images.

 
Astronaut Edwin Aldrin saluting Amer. flag after being second man on moon during Apollo II mission; July 1969. LIFE images.

 
Kindergarten class singing the Flag Song as TV camera records saluting of the flag; 1951. Louisville, KY. LIFE images.

 
American soldiers saluting American flag flying at half staff during break in WWII action on Orote Pennisula in Guam; 1944. LIFE images.

WWI and WWII propaganda posters featuring the stars and stripes.

"I pledge allegiance to the flag of the United States of America, and to the republic for which it stands, one nation under God, indivisible, with liberty and justice for all."

~

HAPPY FLAG DAY!

*** Note: I couldn’t find very many pictures of classic stars saluting, so Jimmy is kind of alone up there! I thought some of the other photos were cool, though. ;)

A Matter of Life and Death (1946)

I’ve decided to dispense with the “Short Review” preceding the titles of my posts. Although some reviews are more in depth and some are merely a way of recording the films I watch this year, I suppose people can figure out the length of the post by looking at it! Besides, it looked rather cluttered.

 So…on to today’s review!

Feb. 13, 2011

37. A Matter of Life and Death (1946)

Starring David Niven, Roger Livesey, Raymond Massey, Kim Hunter
Written, Produced and Directed by Michael Powell & Emeric Pressburger

Plot: "A British wartime aviator who cheats death must argue for his life before a celestial court." (from IMDb)

This is impressively conceived, but it's just too odd for me to like. It does have a lot going for it: well-done special effects, captivating use of color and scenery, good performances, and an original plot. I liked many of the actors--David Niven was ideal for the lead role; Kim Hunter was believable as the all-American girl (though her character could’ve perhaps used more dimension); and Roger Livesey interjected just the right amount of honest sentiment and humor to his part. Yet the film as a whole still wasn't my favorite. To be fair, I rarely like any sort of science fiction or fantasy films. Even ones that everyone else loves.

One thing I found unsettling was the depiction of 'heaven'. (I realize that there is the possibility that the entire thing was in Peter's mind, but I’m referring to the way the afterlife was depicted, not whether it was meant to be real). As a Christian, I believe heaven to be the goal of life and a place of perfect happiness through union with God. To see it as a rather eerie prison which one seeks to avoid was problematic for me. Though, of course, there wouldn’t be a movie if it wasn’t portrayed this way.  Also, the entire argument for Peter staying on earth--that he had fallen in love--didn't make sense. Many people that die leave loved ones behind. So despite the celestial error, what makes his case different? It was things like these (as well as my general dislike for fantasy) that made the film fall flat for me.

I didn’t detest this movie, though; it just failed to resonate with me. I know many people love it and I definitely think it is worth checking out—especially if you think you might be one of those people. : )

Oh, and I just had to add: My favorite scene was the one where Niven is walking on the beach. That shot was just so ethereally beautiful against the background of the waves and the sky.

Note: this film is also known by it's American title, Stairway to Heaven.

Short Review: Once Upon a Honeymoon (1942)

Feb. 3, 2011
28. Once Upon a Honeymoon (1942)
Starring Cary Grant, Ginger Rogers, Walter Slezak, Albert Dekker, Albert Basserman
Directed by Leo McCarey
Plot: “In pre-WW2 Europe, a woman notices that wherever her husband goes, the Nazis seem to follow. Meanwhile, a charming reporter is following them…” (from IMDb)
This film is an uneven blend of serious wartime drama, romance, and comedy. Despite genuine moments in each of these genres, the film does lag significantly in parts. Add to that a storyline revolving around the serious subject matter of the Nazi over-take of Europe and deportation of Jews, and the audience isn’t sure what to think—or when to laugh and when to cry. As for the acting, although at least one contemporary critic praised Ginger as giving one of her best performances, I could not agree. She evens out as her character matures, but near the beginning she is all over the map. I am usually a fan of Ginger, but in this film she sporadically uses and drops an accent, and sometimes just acts really odd. Cary, on the other hand, was extremely charming and enjoyable in this role. It’s watching films like this—where he is so full of life and spontaneity—that reminds me why I prefer his earlier screen roles to the later, more hardened image he adopted in the ’50s and ’60s. But back to the movie… It’s not an altogether awful film, but somehow it just doesn’t mesh. 
For better old films set against the onset of the Second World War in Europe, I recommend:
For comedy: Lubitsch’s To Be or Not to Be (1942)
For suspense/drama: Hitchcock’s Foreign Correspondent (1940)
I’m drawing a blank on the romance angle, though I’m sure that there is one out there.