Showing posts with label confused. Show all posts
Showing posts with label confused. Show all posts

Tuesday, August 2, 2011

The Thrill of It All (1963)

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July 29, 2011

65. The Thrill of It All (1963)

Starring Doris Day, James Garner, Arlene Francis, Edward Andrews
Directed by Norman Jewison

Plot: "A doctor tries to cope with his wife's newfound stardom as an advertising pitch woman." (from TCMDb)

This movie is really silly, and it wasn’t one of my favorites, but I will concede that it’s quite amusing.

Doris Day is fun as usual and her Jean Louis wardrobe alone is worth viewing the movie for (thus so many screen caps of what she’s wearing!). There were some fun cameos in this and lots of familiar character actors—Zasu Pitts (pictured above), Carl Reiner (who also was one of the writers of the screenplay), Reginald Owen (he was hilarious as Old Tom Fraleigh), Alice Pearce (also in Bewitched), Bernie Kopell (Get Smart!) and Hayden Rourke (I Dream of Jeannie) among others.

This isn't bad entertainment, but it lacks a certain sparkle...or something. I can't quite put my finger on just what.

Content advisory: A bit of crass humor and some mild language. Both unwarranted and unnecessary, though minor.

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Doris modeling more flawless ‘60s fashion.

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The kids in this were kind of funny when they weren’t being annoying. :) You may recognize the little girl from her role as Gretel in The Sound of Music. She was adorable!

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The film’s humor poked at the advertising world was quite funny. I also love Doris’ outfit here (and the set!).

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One of Beverly’s few hobbies is canning their own ketchup. The moment where her husband (James Garner) finds her and Mike (Elliot Reid) in the basement is probably one of the funnier moments. Garner’s line delivery is just so perfect. Other than that scene, though, I found Garner rather hit-and-miss with the comedy. It wasn’t awful, but it makes me appreciate what Rock Hudson did. It’s not easy to carry off this type of comedy and make it work!

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Arlene Francis is a woman who has finally conceived and she and her husband are elated. (Don’t worry, I’m really not giving much away because this is revealed about one minute into the film—even before the opening credits roll.) It’s a little hard to accept that Francis (56 at the film’s release) is young enough to even have a baby, though! Edward Andrews as Francis’ husband was was way too over the top in this, especially near the end.

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Love her outfit!














One thing I really did not get about this movie was why Gerald (Garner) went to such lengths to make his wife jealous. There was this big plot buildup and then it went absolutely nowhere. I’m still puzzled about that.


More photos…


…and CUT! 

Sunday, January 16, 2011

Short Review: Miss Austen Regrets (2008)

Jan. 16, 2011<br /><br />16. Miss Austen Regrets (2008)<br />TV movie<br /><br />Starring Samuel Roukin, Olivia Williams, Greta Scacchi, Imogen Poots, Hugh Bonneville<br /><br />Directed by Jeremy Lovering<br /><br />Plot: &#8220;In the later years of her life, as she&#8217;s approaching the age of forty, the novelist Jane Austen helps her niece find a husband.&#8221; (from IMDb)<br /><br />I don&#8217;t know much about Jane Austen&#8217;s life, but I didn&#8217;t like the character in this film that was supposed to be her. She came across to me as an embittered, shrewish, immature, money-obsessed old maid. I accept that this film is basically a work of fiction, but I just didn&#8217;t understand her character. The film did have an interesting &#8216;feel&#8217; to it and I think we can all relate to some of the uncertainties, regrets, etc. that the characters discuss. Yet it just couldn&#8217;t make up for my lack of investment in what meager story there was. This movie is relatively short and a good enough diversion, but it just never really seemed to get anywhere.

Jan. 16, 2011

16. Miss Austen Regrets (2008)
TV movie

Starring Samuel Roukin, Olivia Williams, Greta Scacchi, Imogen Poots, Hugh Bonneville

Directed by Jeremy Lovering

Plot: “In the later years of her life, as she’s approaching the age of forty, the novelist Jane Austen helps her niece find a husband.” (from IMDb)

I don’t know much about Jane Austen’s life, but I didn’t like the character in this film that was supposed to be her. She came across to me as an embittered, shrewish, immature, money-obsessed old maid. I accept that this film is basically a work of fiction, but I just didn’t understand her character. The film did have an interesting ‘feel’ to it and I think we can all relate to some of the uncertainties, regrets, etc. that the characters discuss. Yet it just couldn’t make up for my lack of investment in what meager story there was. This movie is relatively short and a good enough diversion, but it just never really seemed to get anywhere.

Friday, December 10, 2010

It Had to Be You (1947)



I just watched It Had to Be You starring Ginger Rogers and Cornel Wilde, and I found it…puzzling. I kind of liked the movie. I felt like it had a lot of the elements of a fun film, I just didn’t always like how those elements were put together.

First off: Ginger. I am usually a big fan of hers so it surprised me to find her character of a flighty, babbling society girl rather annoying. I mean, I still like Ginger but she just seemed a little one-dimensional in this. Maybe that was what the movie called for, though, because it obviously doesn’t take itself too seriously. Amanda Cooper at A Noodle In a Haystack wrote a post about this film about a year ago, and I revisited it once I got the chance to finally see the film. For the most part, I concur with her thoughts. She writes:

Ginger used her “ingenue” voice for this one. She used to quite often when she was playing younger women, and it always frustrates me (to varying extents, depending on the movie). I don't think she needed it to seem young and fresh. Victoria could have been a much more interesting character if she had been allowed the depth of Ginger's real voice. Nevertheless, this is one movie where the ingenue voice doesn't bother me too much. I think if Rogers had been allowed (or maybe told?) to play Victoria as a more intelligent, mature woman, the potential of the movie would have been more fully realized.

I agree 100% with everything Amanda says in this paragraph, except for the fact that Ginger’s “ingenue” voice isn’t as annoying here. Obviously, I kind of thought it was. I like her observation that the character would’ve had more depth (yes, comedies can have depth!) if she was played differently. One of the things I really like about Ginger is her unique, REAL voice. Many actresses of the era had soft and mousy voices, stagey accents, or a shrill and high-pitched way of speaking. Thus Ginger’s natural voice (I don’t know how to describe it—kind of a tough, earthy drawl, maybe) is very refreshing and relatable. The fact that she attempts to speak in this film in the soft, breathy voice makes me feel like she was trying to be like all those other actresses. But she could’ve just done it because it seemed to fit the character or merely because the director told her to! In any case, I like her better with out it.

Okay, now that we have that out of the way…let’s get into the plot (which will include LOTS OF SPOILERS, so consider yourself warned.)

When the Indian popped up it had me scratching my head (figuratively speaking) trying to figure out what was going on. My mind was going something like this: “Is she dreaming? Is this a fantasy ? Oh, anytime now this will start making sense. He’s just a guy playing a joke on her, right? Hmm, nope, IMDb doesn’t say anything about it being a fantasy. Must not be. It’ll make sense here eventually…” You get the idea. I generally have trouble with suspension of belief type things and fantasy in general (though if it’s comedy, I find it a lot more agreeable. Bewitched, anyone?) so it’s not really a surprise that I didn’t grasp on sooner. The plot is pretty simple and that’s not what confused me. It was just a “where is this going” type of thing. And this does have a weird plot.

Cornel Wilde was fabulous in this as George McKesson. He seemed to be having so much fun with the part and his role alone is reason enough to watch this film. Notice that I only say as George McKesson, though—not as Johnny Blaine, even though Wilde played both characters. That’s because, quite frankly, I found Blaine to be sooo dull and boring. It was like a different person…well he was, (or was he?) but I mean a different actor…wow this is confusing. It seemed that all the things that Victoria liked about him were because either it was what George did or because they were just supposed to be together because they played kissing games at her five-year-old birthday party. Huh? I know… It didn’t really make a lot of sense. If she liked George why didn’t she just marry him. Oh, but I guess she couldn’t because he was some sort of spirit/cupid? But then at the end it was like she did marry George because of the moccasins…right? Or was that just Johnny with those? Because Johnny is kind of stuck-up and George is just fun. He and Victoria need to be together. The movie should’ve been more a story about them, without Johnny. And Victoria needs to get a hold of herself. What was it that suddenly just before the end made Johnny turn around and forgive her? So many questions…

I realize this probably makes no sense. And that’s because it didn’t make a lot of sense to me, either. But the movie was still fun. I guess I just tend to over critique things. :) Cornel Wilde is great (best part of the movie) before he turns into the stuffed-shirt fireman, and Ginger isn’t as bad as I say. I’m just not used to seeing her in this type of role. It’s actually a pretty fun film. Just confusing. And yes, it is a fantasy. There are also some really fun scenes: including the one where they are playing gin, just about any scene with George, the dinner party, at the baseball game…lots of fabulous scenes.

Now that the initial shock of what’s-going-one-here has passed and I am completely prepared to not take the movie too seriously, I think this is one that I could definitely rewatch with pleasure.

Wow, I wrote a lot more here than I planned on. Also check out Amanda’s review. I promise it makes more sense than this one.

Quote from the film: "You can buy a lot of honor for three million dollars."

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